Few glory executives have so completely dedicated to the idea of film as a perseverance test as Alejandro G. Inarritu, and he inspires himself, the crowd and an abused nineteenth century frontiersman well past their standard points of confinement in “The Revenant.” Bleak as damnation however extensively more delightful, this nightmarish dive into a sub zero, denying American outback is a motion picture of cruel roughness, overwhelming force and consistently amazing symbolism, an accomplishment of high-wire filmmaking to surpass even Inarritu and d.p. Emmanuel Lubezki’s work on a year ago’s Oscar-winning “Birdman.
Source: The Revenant Film Review
Source: The Revenant Film Review
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